Dix started his training to become an ornamental painter in 1905.7
Otto volunteered at the beginning of the First World War.8
As a private he took part in battles and
experienced the horror of the trench warfare first hand. Dix was wounded several times, amongst other
things by shell fragments.9
Dix described war as an irreversible element into the cycle of becoming and passing.10
Dix produced a lot of drawings and paintings in the trenches. As a result of this the terror of the war gave
him new inspiration.11
From 1909 to 1911 Grosz went to Königliche Kunstakademie in Dresden and he got a certificate of honor there.14
He started studying in 1912 at the Atelier of Emil Orlik in Berlin.15
Grosz volunteered at the beginning of the war in 1914, but he was released in 1916 because
of a suppurative frontal sinusitis.16
George Grosz considered himself a humanist and he has been critical of the enthusiasm for the war, although
he was initially enthusiastic as well. But the euphoria soon abated and horror and disgust remained.
Grosz said that the time of war had had a negative impact on him.17
Because of his aversion to the warring Germany, Georg Grosz Americanized
his name to George Grosz.18
In 1917 he was called up once again, but he refused to serve and he was finally dismissed.19
George Grosz moved to New York in 1933, shortly before the Nazis came to power in Germany.20
Grosz and his family came back to Germany in 1959, but he died from heart failure less than a month after arriving in Berlin.21
4Tatar, Maria: Entstellung im Vollzug. Das Gesicht des Krieges
in der Malerei. In: Claudia Schmölers/ Sander, L. Gilman (Hrsg.):
Gesichter der Weimarer Republik. Eine phisiognomische Kulturgeschichte.
Köln 2000. p. 129. 5Bröhan, Nicole: Otto Dix. Berlin 2007.
(=Berliner Köpfe 7). p. 8. 6Ibid: p. 8. 7Ibid: p. 13. 8Ibid: p. 22. 9Ibid: p. 23. 10Ibid: p. 24. 11Ibid 12Ibid: p. 127. 13Jentsch, Ralph: Alfred Flechtheim und George Grosz. Zwei deutsche Schicksale.
Bonn 2008. p. 155. 14Ibid: p. 156. 15Ibid 16Ibid 17George Grosz: Ein kleines JA und ein großes NEIN. Sein Leben von ihm selbst erzählt.
Frankfurt am Main 2009. p.128-129. 18Jentsch 2008. p. 156. 19Ibid: p. 157. 20Ibid 21Ibid: p. 164. 22Schneede, Uwe: Max Beckmann. München 2011. p. 123. 23Ibid: p. 123. 24Ibid: p. 24. 25Ibid 26Ibid: p. 25. 27Ibid: p. 27. 28Ibid: p. 123.